Stephen Travels

And he's ready to take you with him.


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A Good Deed Portrayed in Art Around the World

St. Veronica, National Gallery of Art, Washington DCJuly 12 is the feast day of St. Veronica, one of the most identifiable saints in the Christian canon. Whereas so many saints can be hard to recognize by sight according to their symbols (for example, a lily is associated with at least 10 saints; a book accompanies more than 20), the veil with Jesus’ face is assigned only to Veronica. She was especially revered in the 14th and 15th centuries, but her simple act of kindness — offering to wipe Christ’s face — is just as relevant, and as necessary, today. Throughout the world, she has been portrayed in myriad ways and materials. Read about the top five depictions of St. Veronica >


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Skeletons and Skulls That Will Keep You Up All Night

St. Peter in Chains, Rome, ItalyAs Halloween approaches, children — and more than a few adults — are deciding on their costume for this spooky holiday of ghosts, goblins, candy, and horror flicks. Skeletons have always been a staple costume, whether it’s a glow-in-the-dark bodysuit variety or a mask or makeup job largely hidden by an oversized hood on a Grim Reaper outfit. As for the other 364 days of the year, real ones have long been put on display for the devout to revere, and fake ones for Mexican communities to celebrate on the Day of the Dead. Skeletons and skulls have been depicted in art or gravestones for centuries as a symbol of our finite time on earth, fighting a guaranteed losing battle against the sand hourglass. They could be positively frightening (say, in the promotional poster for the movie Evil Dead 2) or rather amusing (as in a Scooby-Doo episode). However you react to them, they invariably promise the same denouement: The end is always near. Read more about the top five skeletons and skulls in the world >


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Seattle’s Art World at Its Most Brilliant

Seattle Art Museum, WashingtonAnother gray, wet day in Seattle had me searching for indoor activities. The tall, black, steel man with the hammer on a downtown street corner caught my eye, even through the rain and from under the shelter of my umbrella. Unperturbed by the tail end of the morning rush hour, he maintained a steady and soundless rhythm as he beat at the air high above the corner of University Street and 1st Avenue. He also lured me to the building behind him, which quickly ended my quest: the Seattle Art Museum. Read more >